South Asian Literature is the Epitome of Odds.

 

South Asian Literature is the Epitome of Odds

South Asian Literature is the Epitome of Odds

South Asian Literature is the Epitome of Odds.

South Asian Literature is the Epitome of Odds

South Asian literature is the epitome of odds. It holds the discussion, from petty matters to major ones. A vast variety of themes are visible in this literature. It refers to the literary works of writers from the Indian subcontinent and its surrounding areas. Countries to which South Asian literature writers are linked include India, Pakistan, Bangladesh, Sri Lanka, Nepal, The Maldives, Burma, Bhutan, Afghanistan, and Iran. The Literary works produced by the writers of this region are enriched with political, social, cultural, religious, socio-economic, national, and global contexts and issues. It comprises the problems of feminism, conservatism, terrorism, religion, violence, challenges, struggles, complexities, aspirations, conflicts, dilemmas, racism, depression, assumptions, separations, partition, cosmopolitanism, and hope. The literature of this region have produced in many regional languages as well as in the English language is second to none in all the literary worlds of this world. The main emphasis of my writing is those writers who wrote in the English language of south Asia. Almost 40 regional and national languages have been employed in different regions to produce literary masterpieces in different genres. Vijay Tendulkar, Girish Karnad, Arun Joshi, Mumtaz Shah Nawaz, Amir Jalil, Saadat Hasan Manto, Selina Hossain, Farkhanda Lodhi, Amitav Ghosh, Arundhati Roy, Bapsi Sidhwa, Bharati Mukherjee, Khalid Hosseini, H.M. Naqvi, Hanif Kureishi, Jhumpa Lahiri, Kamila Shamsie, Attar Tahir, Khushwant Singh, Michael Ondaatje, Mohammaed Hanif, Mohsin Hamid, Monica Ali, Sara Suleri, Tariq Ali, Daud Kamal, Taufiq Rafat, Uzma Aslam Khan are famous writers in English of this region. South Asian Literature is the Epitome of Odds

The most important work of Mumtaz Shah Nawaz The Heart Divided deals with the identity crisis that was generated amongst the Muslims of the Sub-Continent in the 1930s and 40s when the over-arching notion of Indianness underwent liquefaction owing to communal differences with the Hindus. As the protagonists Sughra and Zohra undergo an evolutionary change in their thought processes, they come to realize that they would have no separate identity as Muslims if they insisted on continuing their cooperation with the Congress. Such kind of identity crisis gives birth to differences which we can see in The Kite Runner the difference between European and Western Christian cultures, on the one hand and the culture of the Middle East on the other. The socioeconomic difference in Afghanistan demonstrates the disparity between the majority (Sunni Muslims) and the minority (Shi' Muslims) and how people discriminate against each other based on physical features and religious beliefs. These differences lead to psychological tumult which is another prominent South Asian feature that we can find in Anita Desai`s Cry, The Peacock. It explores the inner world of the main protagonist, Maya, and demonstrates her fear, insecurity, and strange behavior. Through psychological disease, she depicts a world of alienation, and loneliness which is the main point of the South Asian region. Anita Desai also describes through her main character how an Indian woman struggles within an Indian society, who experiences the pain of social, economic, and cultural binary segregation and ultimately finds solace in her love for nature and pets, as a means of survival.

In The Reluctant Fundamentalist, Mohsin Hamid shows how people judge one another based on their clothing, their skin color, and mannerisms. These forms of racism shape Changez and his impressions of the United States. Although Changez’s friends at Princeton treat him respectfully, they are aware that he is an outsider in the United States. When they travel to Greece together, Changez experiences various forms of racism. While not rude or disrespectful to him, his friends think of him as an exotic pet even Erica is attracted to Changez because Changez accepts and in some ways encourages these feelings, partly because he wants Erica and his other friends to accept him and partly because he is unsure who he is. But, the fall of the twin towers changed the whole scenario, for example, Changez who, earlier, was an admirer of the American dream became hostile in his attitude towards Americans which shows the South Asian theme of ‘Change’ in the work. This change was an outcome of Racism-a product of nativism which can be defined as excessive pride in one’s race. This ideology also protects native interests which are mostly anti-immigrant. Such scenarios which demonstrate anti-immigrant policies give birth to conflicts; be they ethnic or racial.

This case can be observed in My Son The Fanatic, a short story by Hanif Kureishi which is the portrayal of the intense and confusing conflict between two cultures, traditions, and values. The writer describes cultural conflicts throughout the whole plot of the story. The conflicts in the story are a result of the fact that Parvez embraces Western culture, and Ali, his son, rejects it. Through different symbols, the story emphasizes how cultural conflicts affect how the characters think and behave. Parvez represents an Asian and Western culture, although he maintains traditional roles as a father and provider for his family. On the other hand, Ali represents Islamic values and traditions, as he does not like his father’s mixed values and identity. Such a confusing state is a reason for constant unrest where a character like Parvez is unable to decide which culture to adopt and which to reject, which points out to cultural hybridity or a sense of belonging to nowhere( another important feature of South Asian Literature).

Khushwant Singh’s debut novel Train to Pakistan reflects the conflict between cultures and ethnic violence. This violence between Muslims and Hindus started in Calcutta (Kolkata) and became contagious to reach Mano Majra, a multi-ethnic village on the border of Pakistan. The fictional village Mano Majra has a railway station, a Gurudwara, and a mosque. Before the riot, all the people in the village were intact. But the riot has made them confused and confronted ethnically and culturally. Muslims hate Hindus, and Hindus hate Muslims. This violent aspect is not only confined to the aforementioned piece of writing but also resonates throughout Dalit Literature- an account of ‘outcasts’. For illustration, Arundhati Roy’s The God of Small Things is such a glaring example of a fiction dealing with the pathos of Dalit life. It beautifully depicts the oppression, struggle, and resistance of the Dalits or the Untouchables. It also chronicles the sufferings and sorrows of the Dalits in an exclusively unique style. It stands out as a tale of love, betrayal, hatred, spite, and guilt. In her very first venture, the author successfully captures the plurality of India and the different identities " that vary depending on class, caste, region, and language. Using the novel as a garb, the novelist criticizes the practice of the caste system in a society that has become a curse in the name of custom. Furthermore, such adverse circumstances enforce people to evaluate their self-worth, and this realization is the final thing that leads them toward the point of self-actualization. The demonstration of this key South Asian characteristic can be observed in Shobhaa De’s novel “Socialite Evenings”. She focuses on the plight of new Indian women who rebel against the conventions to get their liberation. As a result, her women characters become strong and modern, and they make bold decisions. They actualize their different physical and emotional needs. The fictional world of Shobhaa De is dominated by the women characters, whereas the male characters are pushed into the margin.

Vijay Tendulkar’s Silence! The Court is in Session describes the complex social reality of a society where a woman’s life is shaped and reshaped by patriarchy to confine her life. Institutes are responsible for making women’s life pathetic. The Court makes women’s lives more miserable, and the marriage institute questions women only. In the patriarchy, the educational institute does injustice to women. In short, the play acutely describes the women’s suffering. The chauvinistic behavior of society gave birth to the feminist movement- an advocate of women's rights in society. And it is the theme in the play that focuses on the wrong practices of the male-dominated society. It also deals with how middle-class and educated women become victims of society. Women are treated as a commodity for sensual pleasure. The miserable behavior towards women points out a feature of complex and harsh realities of a society where the marginalized are silenced and ruled by the powerful patriarchy. Such marginalization of women is the main reason which imparts disillusionment in their lives. They’re unable to share their feelings and emotions with anyone which deteriorates their mental health.

Likewise, the novel Cry, The Peacock by Anita Desia, reveals the dilemma of the protagonist Maya in the form of disillusionment in life due to the rationale and materialistic nature of her husband Gautama, who stands in stark contrast to her sensitive nature. This difference snatches away the ability to share her inner aspirations with him because of which she is shown to move towards insanity.

To sum up the discussion, we can say that South Asian Literature not only talks about the issue of society but also introduced new premises. It is the epitome of odd that discusses petty matters of society. It involves the literature of not only one region but also talks about taboos. The above-mentioned features talk about the reality of society and how beautiful being become the victims of patriarchal society, and it also talked about how a well know land become unknown to them, or they feel alienated at that place. So South Asian features discussed everything very beautifully while injecting and introducing new things.

#South
#Asian
#Literature
#Epitome
#Odds

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